The unit’s monitor section is comprehensive, offering latency-free monitoring in both analogue and digital domains. This ensures the legendary 1073 analogue sound is future-proofed for the digital age, with both USB and Dante operating all the way to 192kHz. The rear panel features USB connection for when the 1073 OPX is used as a primary audio interface, with Dante primary and secondary connection for audio-over-IP applications. There is, however, a Class-A sans-transformer DI input accessed through each channel’s mic/line combi input on the front panel. Sadly, there’s no room here for the EQ section found on several of the other units in AMS Neve’s 1073 range. Condenser microphones are catered for with 48V phantom power, which only appears when the mic input is selected, so there’s no danger of sending 48V down a line or DI input, while ribbon mics may benefit from the 300 ohms Lo Z option, which lowers the impedance from 1,300 ohms.Įach channel incorporates a 25dB pad and an 80Hz high-pass filter. This allows for far more accurate gain setting and matching, while the precise amount of input gain dialled in is shown on the channel’s LED display. While the chunky red dial has the look of historic 1073 units, in use it’s much smoother than the clunky 5dB-stepped pots on the older models. Input gain for each channel in controlled via a digital stepped encoder, offering up to 70dB of gain in 1dB steps.
#Ams neve 1073 preamp software
It’s here, for example, that the software can be used to remotely control each channel from front of house, while the unit remains on stage. That’s more than double the number of channels found on the early 1970s A88 console for which the 1073 module was originally designed.Īlthough we’re primarily concerned with the 1073 OPX as it functions in the studio, the unit has also been developed to offer the classic 1073 sound in live performance settings. Should you be lucky enough to own more than one 1073 OPX, the software can control up to eight units, offering a total of 64 channels of glorious Neve sound.
#Ams neve 1073 preamp full
What’s more, the accompanying software package allows for full remote control operation of all the unit’s features. The 1073 OPX sports the classic analogue sound but with the convenience of full USB and Dante digital connectivity. AMS Neve remains a forward-thinking company – and that demands future-facing solutions. They could’ve just taken one of their existing 1073 products, slapped a 50th Anniversary Special Edition badge on the front, upped the price by a few hundred quid and left it at that. In diesem Fall sollte man überlegen, auf getrennte 500er Module für 1073 Preamp und EQ in einer Lunchbox zurück zu greifen.To mark the 50th anniversary of the 1073, AMS Neve has created the ultimate 1073 package for the 21st century, incorporating eight channels of their legendary Class A microphone preamps into a standard 2U 19-inch rackmount unit. Kompressor, mittels Insert-Buchsen zwischen Eingangs- und Ausgangsübertragern, wahlweise vor oder nach dem EQ eingeschleift werden und vom Sound des 1073 mit profitieren.Įinziger Wermutstropfen: Der EQ kann nicht mit anderen Preamps zusammen genutzt werden, z.B. Positiv hervorzuheben sind auch die Routing-Möglichkeiten. Der DPX arbeitet die "Persönlichkeit" jedes Instruments heraus.
Die einzelnen Parts lassen sich dadurch besser im Mix platzieren. Alles, was man da durchschickt scheint irgendwie besser zu klingen, plastischer, dreidimensionaler, voller. Aber kein wirklicher Vergleich mit dem DPX! Der Sound - einfach genial. Ich habe viele Jahre mit dem 1073 DPA Preamp und den UAD 1073 EQ-Emulationen gearbeitet. Und ich muss sagen, meine Erwatrtungen wurden mehr als erfüllt. Schon lange auf der Wunschliste - jetzt endlich im Heimstudio: Der Neve 1073 Preamp mit EQ in doppelter Ausführung.
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